Summary
Luka Bešlagić: Theories of experimental textual production
Experimental textual productions are labels for unconventional literary practice which, starting with the emergence of post-war neo-avant-garde textual movements, is gradually connected with meta-linguistic self-reflection and the penetration of theoretical discourse into the body of first-class literary discourse. The author of the book suggests that the resulting modes of subversive textuality require new forms of theorizing. The study critically examines three theoretical paradigms of contemporary transgressive textual production: radical language skepticism determines the language-critical position of the German-Austrian philosophy of language; by confronting the theoretical platforms of structuralism and poststructuralism, the French epistemology of textuality is investigated; the relationship between theoretical and literary writing is examined by pointing out the complex processes of correlation of these two discursive registers and the impossibility of separating and demarcating these discourses, and such a way of hybrid textuality is demonstrated by the performance of a shorter polygenic text. The study claims that experimental textual production cannot be treated as metalanguage independently of the modernity of transdisciplinary theory and, more precisely, transdisciplinary writing - a form of theorizing that intertextually connects the specifics of theoretical discourse with the rhetorical strategies of literature.
Luka Bešlagić
He is a literary and media theorist who deals with hybrid transdisciplinary theories in the field of humanities, and especially with theorizing of experimental textual writing. practice.
Biblos Newsletter
New titles, special copies and quiet recommendations from the antiquarian bookshop.