Summary
Nadira Puškar Mustafić: Tears in the audience
Catharsis in contemporary auto/biographical American drama
Nadira Puškar Mustafić deals with the concept of catharsis as the foundation of theater art and its effect on the audience, focusing on the American auto/biographical drama. One of the incentives for researching the facts is that since the 1950s, there has been a revolt against traditional theater in Europe, which ultimately resulted in the elimination of catharsis from drama.
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