Vinaver Stanislav: Izabrana dela

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Izabrana dela

Vinaver Stanislav

Summary

 

Stanislav Vinaver: Selected Works

A vanguard appears in Serbian literature with a new generation of writers who rebelliously decide to break with the previous literary tradition and the poetics of the main literary figures of that era, the critics Jovan Skerlić and Bogdan Popović. Avant-garde movements operate individually under the auspices of their magazines, with a tendency to present their literary programs and poetics, given that this movement was not unique. In one of the manifestos of those movements, Vinaver presents expressionist poetics in a contradictory way - by denying its existence. Vinaver talks about expressionists who, above all, are free, freed from reality, but also from what reality denies. Reality or unreality for expressionists are equally real or unreal categories. It depends on the artist.

 

The content of this book is arranged in such a way that it includes manifest avant-garde texts, essays on Serbian tradition (most of which can be considered Vinaver's poetic texts, e.g. Rastko Petrović, the swaying figure from the fresco), essays on the Serbian language and language in general, texts on foreign writers, as well as a selection from Vinaver's stories, travelogues and poetry. This collection begins and ends with Vinaver's texts, which the editor intended to play a prologue or epilogue role. The selection is accompanied by three essays: Branimir Ćosić's conversation with the writer, as well as interpretations by Radomir Konstantinović and Slavko Gordić. The book is characterized by an extensive chronology, a selective bibliography and information on all the texts in the book. The modestly titled preface On the Margins of Vinaver's Creativity presents Tešić's analytical-synthetic study of Vinaver's work and its place in Serbian literature. Some of Tešić's fragments can be seen as small encyclopedic references about this "most European Serbian author". This study covers all aspects of Vinaver's work, its genesis, as well as the context in which he created. Just as the selection of Vinaver's texts is an excellent introduction to reading Vinaver's oeuvre, Tešić's study is an excellent introduction to his study.

 

 

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